Many have tried to imitate it, but no one has ever been able to reproduce the magnetic charm that sets it apart: The Ghost Victoria chair is a timeless style icon, a seat with revolutionary and valuable design that manages to mix in a perfect balance of contemporaneity materials with the classicism of its shape. The chair image is slightly retro and is a fine tribute to ancient regimes. Its royal inspiration is evident in its rounds back and its 4 thin, slightly arched legs. On the other hand, the seat has a decidedly modern mould and assumes an angular and spacious square shape. Another modern factor lies in the choice of construction material: polycarbonate, modern and robust, malleable to take any form but stable to then maintain it unchanged in time. In addition, polycarbonate is practical and durable, giving lightness, allowing any movement, and is extremely easy to clean. In the kitchen In the kitchen and in the living room, in the office or in the bedroom, as well as at the restaurant and the hotel, the Victoria Ghost chair is a versatile piece of furniture that does not limit its use to interior spaces, but also extends to the outdoors where it will easily resist weather and temperature changes. Cosy and comfortable for sitting, thanks to its unique and sophisticated design, it also helps in decorating any type of environment with a luxurious touch, at its best in a posh, but not overly formal or set, atmospheres as well as contemporary ones. The transparency of the surface goes hand-in-hand with its name, Ghost Victoria, and makes it even more valuable due to its ability to grace the setting with bring light and grace. Produced by the famous Italian brand Kartell, this emblematic chair is by French designer Philippe Starck and embodies irony and the search for beauty that has always characterized his famous works. You can stack it up to 7 times._x000D_
"Subversive, ethical, ecological, political, humorous... this is how I see my duty as a designer", says Philippe Starck. The thousands of projects - complete or forthcoming - his global fame and tireless protean inventiveness should never distract from Philippe Starck's fundamental vision: Creation, whatever form it takes, must improve the lives of as many people as possible. Starck vehemently believes this poetic and political duty, rebellious and benevolent, pragmatic and subversive, should be shared by everyone and he sums it up with the humour that has set him apart from the very beginning: "No one has to be a genius, but everyone has to participate." His precocious awareness of ecological implications, his enthusiasm for imagining new lifestyles, his determination to change the world, his love of ideas, his concern with defending the intelligence of usefulness – and the usefulness of intelligence – has taken him from iconic creation to iconic creation... From everyday products, furniture and lemon squeezers, to revolutionary mega yachts, hotels that stimulate the senses, phantasmagorical venues and individual wind turbines, he never stops pushing the limits and criteria of contemporary design. His dreams are solutions, solutions so vital that he was the first French man to be invited to the TED conferences (Technology, Entertainment & Design) alongside renowned participants including Bill Clinton and Richard Branson. Inventor, creator, architect, designer, artistic director, Philippe Starck is certainly all of the above, but more than anything else he is an honest man directly descended from the Renaissance artists.
"Subversive, ethical, ecological, political, humorous... this is how I see my duty as a designer", says Philippe Starck. The thousands of projects - complete or forthcoming - his global fame and tireless protean inventiveness should never distract from Philippe Starck's fundamental vision: Creation, whatever form it takes, must improve the lives...
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